Gerald Samper is not a lucky man. Ghost writer of terrible celebrity memoirs and lethally bad cook, he now watches as his beloved house falls off a hill in Tuscany. But he and his guests have been saved from certain death by an apparition - in the form of a certain deceased English princess with great legs. Or, at least, that's how the money-spinning rumour has it... And so begins a farcical comedy of eccentric Diana pilgrims, dead dinner guests, bad opera and Gerry's speciality field-mouse vol-au-vents. Every bit as outrageous as Cooking with Fernet Branca, James Hamilton-Paterson's latest novel is not for anyone who takes royalty (or, indeed, anything else) too seriously.

An ode to Beethoven's revolutionary masterpiece, his Third Symphony In 1805, the world of music was startled by an avant-garde and explosive new work. Intellectually and emotionally, Beethoven's Third Symphony, the "Eroica," rudely broke the mold of the Viennese Classical symphony and revealed a powerful new expressiveness, both personal and societal. Even the whiff of actual political revolution was woven into the work-it was originally inscribed to Napoleon Bonaparte, a dangerous hero for a composer dependent on conservative royal patronage. With the first two stunning chords of the "Eroica," classical music was transformed.In Sinfonia Eroica, James Hamilton-Paterson reconstructs this great moment in Western culture, the shock of the music and the symphony's long afterlife.

This brilliant sequence of short stories, first published in 1995, sees James Hamilton-Patterson serving up fables and fictions on creativity, tradition and loss, all of them linked by the love of music and underpinned by a musical theme. An escaped lunatic who thinks he is Schumann interrupts a quiet family picnic; a Croat refugee gifted at the guitar enters and unsettles a woman's life; and a Chinese master-teacher struggles with a pupil who would dare to modify a musical canon. 'Written in a wide range of voices... (these tales) reveal an imagination as wide-ranging as it is dazzling. Astonishingly versatile... extremely funny.' Christina Patterson, Independent 'Beautiful, eerie, witty, astute, dazzling.' Observer 'As perfect a collection of short stories as you're ever likely to come across.' Paul Sussman, Independent on Sunday

The Bell-Boy was James Hamilton-Paterson's third novel, first published in 1990.'Somewhere on my tropical travels I encountered a rickety hotel on whose roof an ancient servant lived in a converted hen coop. This gave me the idea for a young bell-boy, Laki, who is up from the provinces and lives on top of his hotel in the holy city of Malomba. He moonlights as a shrewd guide for foreign visitors, his latest clients being a hippie English family who are in Malomba for psychic surgery. Their mutual exploitation leads to both farce and minor tragedy.' James Hamilton-Paterson'A brilliant religious satire with elements of E.F. Benson and Evelyn Waugh... Few books since E.M. Forster's A Passage to India (whose formal perfection this novel shares) have conveyed more intensely the allure (and the revulsion) the East holds for Westerners.' New York Times

James Hamilton-Paterson's first collection of stories was published in 1986: in a prefatory note the author claims inspiration from the 'putative memory' of a Cynic philosopher whose 'brilliant crabbiness' saw him exiled to the foothills of the titular Mount Dog. The collection that follows is a disquietingly humorous volume which tilts the reader's perception of the world just sufficiently as to make the bizarre seem ordinary and the mundane utterly extraordinary.What is happening in a world where a 41-year-old scriptwriter who despises sport becomes the greatest athlete who ever lived, and the Virgin Mary tangles with the Peace Corps? From England to the Philippines, from the Middle East to South America, the stories contained herein portray a world far stranger and less governed than we might care to admit.

First published in 2001, Loving Monsters begins with a British writer, now living in Italy, being propositioned to write the biography of a strange near-neighbour, a man named Jebb whose life has taken in 1920s London, wartime Egypt and modern Tuscany. 'I suppose the book is a reflection on the nature of biography', James Hamilton-Paterson has written, 'but it is also about how love can appear to make a life monstrous while explaining and even redeeming it.' 'Thoughtful, provocative and extremely well written.' Sunday Times 'Fresh with the imaginative vigour and moral urgency that make Hamilton-Paterson an important writer.' Spectator 'New readers will stumble across [Hamilton-Paterson] in a bookshop and go on turning the pages with the same sense of joyful bewilderment: 'How does he do that? How can something be this good?' Bella Bathurst, Sunday Herald

Griefwork, James Hamilton-Paterson's third novel, was first published in 1993.'This book had its genesis in a vivid dream about a Holland-like landscape of dykes which caused me to catch the next plane to Amsterdam. The story is set in the tropical palm house of a botanical garden - possibly in the Netherlands - just after the Second World War. Its single-minded and distinctly odd curator, Leon, has brought his precious ark of exotic plants safely through the war but is now struggling amid the snows of winter to keep its boilers going in fuel-starved Europe.' James Hamilton-Paterson'Beautifully written. The author explores the tangled roots of his subject with brains and imagination, sustaining a tautness between Leon's affirmation of nature and the creeping truth that will expose its provisionality.' Observer'Hamilton-Paterson's strange and compelling novel puts down enduring roots in the reader's mind.' Sunday Times

Nearing the end of his career, Sir Edward Elgar impulsively decides to travel by ship to Brazil, where he encounters a woman from his past. Set in 1923 and based on true events, Gernontius is a modern classic, and takes the great composer out of his depths in this beautiful, episodic, mysterious novel set in 1923.

'James Hamilton-Paterson's excoriating book would be unbearably painful were it not so beautifully written. The clarity of his vision and the lucid elegance of his prose - lightened by flashes of gallows humour - make this one of the most extraordinary and powerful novels I have read for years.' Literary ReviewGhosts of Manila (first published in 1994) begins in a wasteland near Manila Airport where a small family business works at boiling down the cadavers of police death squad victims and re-assembling them as skeletons for sale to medical students. The novel's urban drama then opens out to bring in burned-out British journalist John Prideaux, archaeologist and diplomat's daughter Ysabella Bastiaan streetwise but rueful policeman Rio Dingca, and Epifania Tigos, who struggles to run a sewing co-operative from within a shantytown.'It is the author's remarkable achievement that the city, in all its ragged splendour, continues to haunt the mind even...

1961. A squadron of Vulcan aircraft, Britain's most lethal nuclear bomber, flies towards the east coast of the United States. Highly manoeuvrable, the great delta-winged machines are also equipped with state of the art electronic warfare devices that jam American radar systems. Evading the fighters scrambled to intercept them, the British aircraft target Washington and New York, reducing them to smoking ruins. They would have done, at least, if this were not an exercise. This extraordinary raid (which actually took place) opens James Hamilton-Paterson's remarkable novel about the lives of British pilots at the height of the Cold War, when aircrew had to be on call 24 hours a day to fly their nuclear-armed V-bombers to the Western USSR and devastate the lives of millions. This is the story of Squadron-Leader Amos McKenna, a Vulcan pilot who is suffering from desires and frustrations that are tearing his marriage apart and making him question his...

Gerald Samper is a ghost writer to the stars: rock singers, racing drivers and ski champions. And to Millie Cleat, the monstrous one-armed sailor, whose round the world voyage has made her the toast of Britain, and who has become the poster-girl for the Deep Blues, a mystical and nutty environmental group. Gerald pines for greater things, however, and would prefer to write the memoirs of Max Christ, the celebrated conductor. While he schemes to land this unattainable catch, he muses hilariously and viciously on the world of which he is such an unwilling part, looking out from his Tuscan hilltop and pining for his neighbour Marta, offspring of a crime family from Voynovia, who disappeared one day into thin air. Has she been the subject of a 'rendition'? Meanwhile, some oceanographers are planning revenge on Millie Cleat for her destruction of their greatest coup. Gerald convinces her that she has seen the face of Neptune in the depths ...

Gerald Samper, an effete Englishman, lives on a hilltop in Tuscany. He is a ghostwriter for celebrities, and a foodie, whose weird tastes include 'Mussels in Chocolate and Garlic' and 'Fernet Branca Ice Cream'. His idyll is shattered by the arrival of Marta, a vulgar woman from a former Soviet republic now run by gangsters, notably male members of her family. She is a composer in a neo-folk style who claims to be writing a score for a trendy Italian film director. The neighbours' lives disastrously intertwine. The entourages of the rock star and the director come and go; mysterious black helicopters bring news of mayhem in Voynova, Marta's homeland; and along the way the English obsession with Tuscany is satirized mercilessly.

Little more than 10 years after the first powered flight, aircraft were pressed into service in World War I. Nearly forgotten in the war's massive overall death toll, some 50,000 aircrew would die in the combatant nations' fledgling air forces. The romance of aviation had a remarkable grip on the public imagination, propaganda focusing on gallant air 'aces' who become national heroes. The reality was horribly different. MARKED FOR DEATH debunks popular myth to explore the brutal truths of wartime aviation: of flimsy planes and unprotected pilots; of burning 19-year-olds falling screaming to their deaths; of pilots blinded by the entrails of their observers. James Hamilton-Paterson also reveals how four years of war produced profound changes both in the aircraft themselves and in military attitudes and strategy. By 1918 it was widely accepted that domination of the air above the battlefield was crucial to military success, a realization that would change the nature of warfare for ever.

A classic of travel writing. For many years award-winning writer James Hamilton-Paterson spent a third of each year on an otherwise uninhabited Philippine island, spear-fishing for survival. Playing with Water tells us why he did. Yet it also gives an account of life in that class-bound country as a whole. For it is in places like this rather than Manila of the international news reports that the underlying political and cultural reality of the Philippines may be seen.

Seven-Tenths is James Hamilton-Paterson's classic exploration of the sea. A beautifully-written blend of literature and science, it is here brought back into print in a revised and updated edition which includes the acclaimed essay Sea Burial.