New and uncollected tales of murder, mischief, magic and madness. Ruth Rendell was an acknowledged master of psychological suspense: these are ten (and a quarter) of her most chillingly compelling short stories, collected here together for the first time. In these tales, a businessman boasts about cheating on his wife, only to find the tables turned. A beautiful country rectory reverberates to the echo of a historical murder. A compulsive liar acts on impulse, only to be lead inexorably to disaster. And a wealthy man finds there is more to his wife's kidnapping than meets the eye.Atmospheric, gripping and never predictable, this is Ruth Rendell at her inimitable best. The stories are: Never Sleep in a Bed Facing a Mirror; A Spot of Folly; The Price of Joy; The Irony of Hate; Digby's Wives; The Haunting of Shawley Rectory; A Drop Too Much; The Thief; The Long Corridor of Time; In the Time of his Prosperity; and Trebuchet.Introduction from...

A classic Rendellian loner, Mix Cellini is superstitious about the number 13. Living in a decaying house in Notting Hill, Mix is obsessed with 10 Rillington Place, where the notorious John Christie committed a series of foul murders. He is also infatuated with a beautiful model who lives nearby – a woman who would not look at him twice. Mix's landlady, Gwedolen Chawcer is equally reclusive – living her life through her library of books. Both landlady and lodger inhabit weird worlds of their own. But when reality intrudes into Mix's life, a long pent-up violence explodes.

The search for the body commenced. Then the victim walked into town.Behind the picture-postcard façade of Kingsmarkham lies a community rife with violence, betrayal, and a taste for vengeance. When sixteen-year-old Lizzie Cromwell reappears no one knows where she has been, including Lizzie herself. Inspector Wexford thinks she was with a boyfriend. But the disappearance of a three-year-old girl casts a more ominous light on events. And when the public's outrage turns toward a recently released pederast and another suspect turns up stabbed to death, Wexford must try to unravel the mystery before any more bodies appear, and before a mob of local vigilantes metes out a rough justice to their least favorite suspect. In Harm Done, the violence is near at hand, and evil lies just a few doors down the block. From the Trade Paperback edition.

A mutilated body found at a rock festival.In spite of dire predictions, the rock festival in Kingsmarkham seemed to be going off without a hitch, until the hideously disfigured body is discovered in a nearby quarry. And soon Wexford is investigating the links between a local girl gone bad and a charismatic singer who inspires an unwholesome devotion in his followers. Some Lie and Some Die is a devilishly absorbing novel, in which Wexford's deductive powers come up against the aloof arrogance of pop stardom. With her Inspector Wexford novels, Ruth Rendell, winner of the Mystery Writers of America Grand Master Award, has added layers of depth, realism and unease to the classic English mystery. For the canny, tireless, and unflappable policeman is an unblinking observer of human nature, whose study has taught him that under certain circumstances the most unlikely people are capable of the most appalling crimes.From the Trade Paperback edition.

This latest gem from the British master concerns the wreckage wrought on a variety of Londoners by a womanizing con man who speaks in rhymes. Here, as in A Sight for Sore Eyes (1999), Rendell’s genius is to create characters so vivid they live beyond the frame of the novel. She pushes the ordinary to the point of the bizarre while remaining consistently believable. Araminta “Minty” Knox, the fragile center of the plot, is a 30-something woman, alone and obsessed with hygiene, who works in a dry-cleaning shop. All the world is a petri dish for Minty, who sees germs everywhere, which she attacks with Wright’s Coal Tar Soap. She is equally tormented by the ghosts she imagines, her domineering “Auntie” and the man who took her virginity. Other characters hover on the borderline between transformation and disaster. Tory MP “Jims” Melcombe-Smith, in bed politically with the “family values” crowd, is simultaneously courting a gay lover. Working-class Zillah Leach, bored with her small children and smaller bank account, schemes to marry up, even at the risk of committing bigamy. This is not a whodunit in the sense of Rendell’s Inspector Wexford novels, but a study of crime’s origins and especially its consequences as they ripple out beyond the immediate victims. The plot is intricate but brisk, and Rendell nails her characters’ psychology in all its perverse logic. She has a travel writer’s sensitivity to setting, to the architecture, cemeteries, birds and vegetation of contemporary Britain. This is a literary page-turner, both elegant and accessible.

SUMMARY: The Nightingales were always a very happy couple. If a husband and wife never discuss anything but the weather and are waited on hand and foot, what is there to quarrel about? But someone had reason to quarrel with Elizabeth. Someone who was alone with her in the woods that dark September night. Someone who loved her or hated her enough to beat her to death. The case seemed straightforward enough, but Wexford soon discovered that beneath the placid exterior of the Nightingales’ lives, there were undercurrents and secrets no one had ever suspected.

A century-old diary points to the truth behind a notorious murder, if only its writer's granddaughter can unlock its riddles Lonely, ignored by her husband, a stranger in a strange land, Asta Westerby turns to her diary for comfort shortly after moving from Denmark to East London. Starting in 1905, she records the details of her new life and the development of her newborn daughter, Swanny. In the end, her journal spans five decades and becomes a literary sensation, offering an intimate view of an Edwardian life. But though the diaries are well known, few are acquainted with the dark tale hidden in their deleted passages. Asta's Book is at once a crime novel, a historical romance, and a psychological portrait told through the diary itself and through the voice of Ann, the granddaughter bent on unlocking the diary's excised mystery.

Rendell returns to a darkly atmospheric London to explore how the lives of a small group of people from very mixed backgrounds are affected dramatically by a series of apparently motiveless murders. The first girl had a bite mark on her neck, but the police traced the DNA to her boyfriend. Nevertheless, when the tabloids got hold of the story, they immediately called the killer 'The Rottweiler', and the name stuck. The latest body was discovered very near Inez Ferry's antique shop in Marylebone. Someone spotted a shadowy figure running away past the station, but couldn't say for sure if it was a man or a woman. There were only two other clues. The murderer seemed to have a preference for strangling his victims and then removing something personal - like a cigarette lighter or a necklace... Since her actor husband died, too early into their marriage, Inez supplemented her modest income by taking in tenants above the shop. The unpredictably obsessive activities of 'The Rottweiler' would exert a profound influence on this heterogeneous little community, especially when the suspicion began to emerge that one of them might be a homicidal maniac.