From Publishers WeeklyThe author of the Wideacre trilogy offers another intense, absorbing tale, a grisly drama of passion and witchcraft in 16th-century England. Growing up as an ill-used apprentice to Morach, the much-feared wise woman of the moors, Alys finds respite by joining an order of Catholic nuns. When young Lord Hugo and his men burn the abbey to the ground during a drunken rampage, Alys is the only one to escape; she flees back to Morach, consumed with guilt at having abandoned her dying sisters. Summoned to minister to Lord Hugh, Hugo's father, Alys soon finds herself deeply involved in the treachery and intrigue surrounding the old man's attempts to have his son's marriage to the barren Lady Catherine annulled. Attracted to Hugo despite his murderous past, Alys begins to practice witchcraft in earnest to rid him of Catherine and become his wife. Her spells work all too well: Catherine's long-awaited pregnancy ends disastrously, and Hugo comes to love Alys, but in a sickly haze of lust that provides no basis for marriage. Alys soon finds herself so sunk in evil, so removed from God's love, that only a truly shocking gesture can bring about her salvation. Gregory adeptly manipulates hair-raising horror and mounting suspense, brilliantly evoking the period's turbulent atmosphere. Dou ble day Book Club alternate. Copyright 1993 Reed Business Information, Inc. From Library JournalThis new novel by the author of Wideacre (S. & S., 1987) and other popular historical fiction profiles a woman versed in charms, conjuring, and fortune-telling who nonetheless falls into catastrophic misfortunes time after time. Escaping from an English convent, young Alys learns the arts of healing and magic from the "wise woman" who takes her in. Her struggle to find an independent life takes her among an array of characters, including a mediocre lover, a sickly old man still very much in control of the lives around him, and two challenging women: Marach and Mother Hildebrande. Gregory weaves a vivid tapestry of life in the 16th century, including plenty of sex, as the narrative strains toward a not-unexpected end.- M.E. Chitty, Fairchild International Lib. Inst. , Plainfield, N.J.Copyright 1993 Reed Business Information, Inc.

Wideacre Hall, set in the heart of the English countryside, is the ancestral home that Beatrice Lacey loves. But as a woman of the 18th century, she has no right of inheritance. Corrupted by a world that mistreats women, she sets out to corrupt others. From Publishers Weekly Gregory's full-blown first novel is a marvelously assured period piece, an English gothic with narrative verve. Beatrice Lacey loves nothing more than the family estate, Wideacrenot her bluff, hearty father, her weak brother, Harry, or her mother, who can't quite believe mounting evidence that damns her passionate daughter. Foiled in her hunger to own the estate by the 18th century laws of entail, Beatrice plots her father's death, knowing she can twist Harry in any direction she chooses, for her brother harbors a dark, perverted secret. Their incestuous tangle is not broken even by Harry's marriage. And while a bounteous harvest multiplies, no one gainsays the young squire and his sister, the true master of Wideacre. Beatrice marries also, managing to hide the paternity of two children sired by Harry until her increasing greed squeezes the land and its people dry, and the seeds of destruction she has sown come to their awful fruition. Gregory effortlessly breathes color and life into a tale of obsession built around a ruthless, fascinating woman.

A witty contemporary satire on the pitfalls of political correctness. From New Men and earnest academics to New Age Travellers and pig farmers, nobody emerges unscathed. Dr Louise Case has the right career, the right country cottage and a commitment-free relationship with a fellow academic. According to contemporary codes, it?s all very correct ? except that Louise begins to suspect that it?s far from perfect. Then along comes Rose, eighty if she?s a day, who effortlessly disrupts everything. Soon both campus and cottage are in chaos, while the old lady commences to set her own house ? a decrepit old van ? in order. And this includes an unthinkably traditional role for Louise?

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen. One woman hears the tidings with utter dread. She is Amy Dudley, wife of Sir Robert, and she knows that Elizabeth's ambitious leap to the throne will draw her husband back to the center of the glamorous Tudor court, where he was born to be. Elizabeth's excited triumph is short-lived. She has inherited a bankrupt country where treason is rampant and foreign war a certainty. Her faithful advisor William Cecil warns her that she will survive only if she marries a strong prince to govern the rebellious country, but the one man Elizabeth desires is her childhood friend, the ambitious Robert Dudley. As the young couple falls in love, a question hangs in the air: can he really set aside his wife and marry the queen? When Amy is found dead, Elizabeth and Dudley are suddenly plunged into a struggle for survival. Philippa Gregory's The Virgin's Lover answers the question about an unsolved crime that has fascinated detectives and historians for centuries. Intelligent, romantic, and compelling, The Virgin's Lover presents a young woman on the brink of greatness, a young man whose ambition exceeds his means, and the wife who cannot forgive them. From Publishers Weekly Bestseller Gregory captivates again with this expertly crafted historical about the beautiful young Virgin Queen, portrayed as a narcissistic, neurotic home-wrecker. As in her previous novels about Tudor England (The Queen's Fool, etc.), Gregory amasses a wealth of colorful period detail to depict the shaky first days of Elizabeth I's reign. The year is 1558, an especially dangerous time for the nation: no bishop will coronate Henry VIII's Protestant daughter, the treasury is bankrupt, the army is unpaid and demoralized. Meanwhile, the French are occupying Scotland and threatening to install "that woman"—Mary, Queen of Scots—on the throne. Ignoring the matrimonial advice of pragmatic Secretary of State William Cecil, the 25-year-old Elizabeth persists in stringing along Europe's most eligible bachelors, including King Philip of Spain and the Hapsburg archduke Ferdinand. It's no secret why: she's fallen for her "dark, saturnine" master of horse, Sir Robert Dudley, whose traitorous family history and marriage to the privately Catholic Amy make him an unsuitable consort. Gregory deftly depicts this love triangle as both larger than life and all too familiar; all three characters are sympathetic without being likable, particularly the arch-mistress Elizabeth, who pouts, throws tantrums, connives and betrays with queenly impunity. After a while the plot stagnates, as the lovers flaunt their emotions in the face of repetitious arguments from Amy, Cecil and various other scandalized members of the court. But readers addicted to Gregory's intelligent, well-researched tales of intrigue and romance will be enthralled, right down to the teasingly tragic ending.

"I am Catalina, Princess of Spain, daughter of the two greatest monarchs the world has ever known...and I will be Queen of England." Thus, bestselling author Philippa Gregory introduces one of her most unforgettable heroines: Katherine of Aragon. Known to history as the Queen who was pushed off her throne by Anne Boleyn, here is a Katherine the world has forgotten: the enchanting princess that all England loved. First married to Henry VIII's older brother, Arthur, Katherine's passion turns their arranged marriage into a love match; but when Arthur dies, the merciless English court and her ambitious parents -- the crusading King and Queen of Spain -- have to find a new role for the widow. Ultimately, it is Katherine herself who takes control of her own life by telling the most audacious lie in English history, leading her to the very pinnacle of power in England. Set in the rich beauty of Moorish Spain and the glamour of the Tudor court, The Constant Princess presents a woman whose constancy helps her endure betrayal, poverty, and despair, until the inevitable moment when she steps into the role she has prepared for all her life: Henry VIII's Queen, Regent, and commander of the English army in their greatest victory against Scotland. From Publishers Weekly As youngest daughter to the Spanish monarchs and crusaders King Ferdinand and Queen Isabella, Catalina, princess of Wales and of Spain, was promised to the English Prince Arthur when she was three. She leaves Spain at 15 to fulfill her destiny as queen of England, where she finds true love with Arthur (after some initial sourness) as they plot the future of their kingdom together. Arthur dies young, however, leaving Catalina a widow and ineligible for the throne. Before his death, he extracts a promise from his wife to marry his younger brother Henry in order to become queen anyway, have children and rule as they had planned, a situation that can only be if Catalina denies that Arthur was ever her lover. Gregory's latest (after Earthly Joys) compellingly dramatizes how Catalina uses her faith, her cunning and her utter belief in destiny to reclaim her rightful title. By alternating tight third-person narration with Catalina's unguarded thoughts and gripping dialogue, the author presents a thorough, sympathetic portrait of her heroine and her transformation into Queen Katherine. Gregory's skill for creating suspense pulls the reader along despite the historical novel's foregone conclusion.