Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life; a nice house, a pretty wife, a decent job with prospects for advancement, but he still feels unfulfilled; something is missing from his life. Hadley is an angry young man--an artist, a dreamer, a screw-up. He tries to fill his void first with drinking, and sex, and then with religious fanaticism, but nothing seems to be working, and it is driving him crazy. He reacts to the love of his wife and the kindness of his employer with anxiety and fear. One of the earliest books that Dick ever wrote, and the only novel that has never been published, Voices from the Street is the story of Hadley's descent into depression and madness, and out the other side. Most known in his lifetime as a science fiction writer, Philip K. Dick is growing in reputation as an American writer whose powerful vision is an ironic reflection of the present. This novel completes the publication of his canon.

"The claws were bad enough in the first place--nasty, crawling little death-robots. But when they began to imitate their creators, it was time for the human race to make peace--if it could!" Philip K. Dick said of his story "Second Variety" "My grand theme--who is human and who only appears as human?--emerges most fully. Unless we can individually and collectively be certain of the answer to this question, we face what is, in my view, the most serious problem possible. Without answering it adequately, we cannot even be certain of our own selves." Reviewing the story, critic Zack Handlen wrote, "'Second Variety' is grim, violent, and suspenseful. . . . While most of the twists are easy to spot once you discover the main plot--basically 'Are you or aren't you a machine'-- they still have an impact, and Dick makes his point quite clearly." Besides the title story, this collection also includes nine more classic Philip K. Dick tales: "Piper in the Woods," "Beyond the Door," "The Crystal Crypt," "The Defenders," "The Gun," "The Skull," "The Eyes Have It," "Mr. Spaceship," and the novella "The Variable Man"--260 pages of mind-bending prose from the master of weird science fiction.

Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D--which Arctor takes in massive doses--gradually splits the user's brain into two distinct, combative entities, Fred doesn't realize he is narcing on himself. Caustically funny, eerily accurate in its depiction of junkies, scam artists, and the walking brain-dead, Philip K. Dick's industrial-grade stress test of identity is as unnerving as it is enthralling. From the Trade Paperback edition.

Godlike--or perhaps Satanic--takeover artists and corporate psychics wage marketing battles for the human soul in this wildly disorienting funhouse of a novel.

Objective, unbiased and hyper-rational, the Vulcan 3 should have been the perfect ruler. The omnipotent computer dictates policy that is in the best interests of all citizens—or at least, that is the idea. But when the machine, whose rule evolved out of chaos and war, begins to lose control of the “Healer” movement of religious fanatics and the mysterious force behind their rebellion, all Hell breaks loose. Written in 1960, Philip K. Dick’s paranoid novel imagines a totalitarian state in which hammer-headed robots terrorize citizens and freedom is an absurd joke. William Barris, the morally conflicted hero, may be the only person who can prevent the battle for control from destroying the world—if, that is, he can decide which side he’s on. Winner of both the Hugo and John W. Campbell awards for best novel, widely regarded as the premiere science fiction writer of his day, and the object of cult-like adoration from his legions of fans, Philip K. Dick has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves.

Since his untimely death in 1982, interest in Philip K. Dick's works has continued to grow, and his reputation has been enhanced by an expanding body of critical appreciation. This fifth and final volume of Dick's collected works includes 25 short stories, some previously unpublished.

Set in San Francisco in the late 1950s, Humpty Dumpty in Oakland is a tragicomedy of misunderstandings among used car dealers and real-estate salesmen: the small-time, struggling individuals for whom Philip K.Dick always reserved his greatest sympathy. Jim Fergesson is an elderly garage owner with a heart condition, who is about to retire; Al Miller is a somewhat feckless mechanic who sublets part of Jim's lot and finds his livelihood threatened by the decision to sell; Chris Harman is a record-company owner who for years has relied on Fergesson to maintain his cars. When Harman hears of Fergesson's impending retirement he tips him off to what he says is a cast-iron business proposition: a development in nearby Marin County with an opening for a garage. Al Miller is convinced that Harman is a crook, out to fleece Fergesson of his life's savings. As much as he resents Fergesson he can't bear to see it happen and--denying to himself all the time what he is doing--he sets out to thwart Harman.

In the world of The Minority Report, Commissioner John Anderton is the one to thank for the lack of crime. He is the originator of the Precrime System, which uses precogs--people with the power to see into the future--to identify criminals before they can do any harm. Unfortunately for Anderton, his precogs perceive him as the next criminal.

Many thousands of readers consider Philip K. Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in Dick's works has continued to mount and his reputation has been further enhanced by a growing body of critical attention. The Philip K. Dick Award is now given annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works.This collection includes all of the writer's earliest short and medium-length fiction (including some previously unpublished stories) covering the years 1952-1955. These fascinating stories include Second Variety, Foster, You're Dead and The Father-Thing, and many others. "A useful acquisition for any serious SF library or collection." -- Kirkus "The collected stories of Philip K. Dick is awe inspiring." -- The Washington Post "More than anyone else in the field, Mr. Dick really puts you inside people's minds." -- Wall Street Journal

Scaldingly sarcastic yet enduringly empathetic, The Zap Gun is Dick's remarkable novel depicting the insanity of the arms race. Lars Powderdry and Lilo Topchev are counterpart weapons fashion designers for a world divided into two factions-Wes-bloc and Peep-East. Since the Plowshare Protocols of 2002, their job has been to invent elaborate weapons that only seem massively lethal. But when alien satellites hostile to both sides appear in the sky, the two are brought together in the dire hope that they can create a weapon to save the world, a task made all the more difficult by Lars falling in love with Lilo even as he knows she's trying to kill him. From the Trade Paperback edition.

In The Crack in Space, a repairman discovers that a hole in a faulty Jifi-scuttler leads to a parallel world. Jim Briskin, campaigning to be the first black president of the United States, thinks alter-Earth is the solution to the chronic overpopulation that has seventy million people cryogenically frozen; Tito Cravelli, a shadowy private detective, wants to know why Dr Lurton Sands is hiding his mistress on the planet; billionaire mutant George Walt wants to make the empty world all his own. But when the other earth turns out to be inhabited, everything changes. Winner of both the Hugo and John W. Campbell awards for best novel, widely regarded as the premiere science fiction writer of his day, and the object of cult-like adoration from his legions of fans, Philip K. Dick has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves. From the Trade Paperback edition.

The Captain peered into the eyepiece of the telescope. He adjusted the focus quickly. "It was an atomic fission we saw, all right," he said presently. He sighed and pushed the eyepiece away. "Any of you who wants to look may do so. But it's not a pretty sight." "Let me look," Tance the archeologist said. He bent down to look, squinting. "Good Lord!" He leaped violently back, knocking against Dorle, the Chief Navigator. But when they got there, nothing moved or stirred. Everything was silent, dead. Only the gun showed signs of life . . . and the trespassers had wrecked that for all time. The return journey to pick up the treasure would be a cinch . . .

The first in a massive five-volume collection of the complete shorter fiction of the author. It includes stories written in a nine-month period in 1951 and 1952, when Dick was in his early twenties and making his first impact as a writer.

From : The Magazine of Fantasy and Science Fiction, July 1953

"Did you ever wonder at the lonely life the bird in a cuckoo clock has to lead --" wrote the editor of Fantastic Universe in January, 1954, blurbing this tale "-- that it might possibly love and hate just as easily as a real animal of flesh and blood? Philip Dick used that idea for this brief fantasy tale. We're sure that after reading it you'll give cuckoo clocks more respect."