The assumptions and obsessions that control our daily lives are explored in tantalizing detail by master novelist John Updike in this wise, witty, sexy story. Harry Angstrom – known to all as Rabbit, one of America's most famous literary characters – finds his dreary life shattered by the infidelity of his wife, Janice. How he resolves – or further complicates – his problems, makes for a novel of the first order. Rabbit Redux is the second of five John Updike Rabbit novels, all of which focus on their central character Harry Angstrom. In Rabbit Redux, Harry Angstrom – known to all as Rabbit, one of America's most famous literary characters – finds his dreary life shattered by the infidelity of his wife, Janice. How he resolves or further complicates his problems makes for a novel of the first order. The assumptions and obsessions that control our daily lives are explored in tantalizing detail by master novelist John Updike in this wise, witty, and sexy story.

Sally is big, blonde and pampered. She's married to Richard. But she loves Jerry. Jerry loves Sally in return, but he's also still in love with his wife Ruth. Who's been sleeping with Richard... As a hot, feverish summer of snatched weekends, secret phone calls and illicit lovemaking on the beach comes to a head, it turns out everyone knows more than they've been letting on. And that no one knows quite when to stop.

The Jewish American novelist Henry Bech--procrastinating, libidinous, and tart-tongued, his reputation growing while his powers decline--made his first appearance in 1965, in John Updike's "The Bulgarian Poetess." That story won the O. Henry First Prize, and it and the six Bech adventures that followed make up this collection. "Bech is the writer in me," Updike once said, "creaking but lusty, battered but undiscourageable, fed on the blood of ink and the bread of white paper." As he trots the globe, promotes himself, and lurches from one woman's bed to another's, Bech views life with a blend of wonder and cynicism that will make followers of the lit-biz smile with delight and wince in recognition.From the Trade Paperback edition.

The stunning novella that concludes John Updike's acclaimed Rabbit series is now available on audio. Set 10 years after Harry "Rabbit" Angstrom's death, Rabbit Remembered returns listeners to the small Pennsylvania town where Harry's widow, Janice, and his son, Nelson, still reside. They are faced with a surprise when Annabelle, Harry's 39-year-old illegitimate daughter, arrives on the scene, bringing with her ghosts from the past.

Winner of the PEN/Faulkner Award for Fiction A harvest and not a winnowing, this volume collects 103 stories, almost all of the short fiction that John Updike wrote between 1953 and 1975. "How rarely it can be said of any of our great American writers that they have been equally gifted in both long and short forms," reads the citation composed for John Updike upon his winning the 2006 Rea Award for the Short Story. "Contemplating John Updike's monumental achievement in the short story, one is moved to think of Nathaniel Hawthorne, Henry James, Ernest Hemingway, and perhaps William Faulkner--writers whose reputations would be as considerable, or nearly, if short stories had been all that they had written. From [his] remarkable early short story collections . . . through his beautifully nuanced stories of family life [and] the bittersweet humors of middle age and beyond . . . John Updike has created a body of work in the notoriously difficult form of the short...

National Book Award for Fiction In a small Pennsylvania town in the late 1940s, schoolteacher George Caldwell yearns to find some meaning in his life. Alone with his teenage son for three days in a blizzard, Caldwell sees his son grow and change as he himself begins to lost touch with his life. Interwoven with the myth of Chiron, the noblest centaur, and his own relationship to Prometheus, The Centaur one of John Updike's most brilliant and unusual novels.

The theme of trust, betrayed or fulfilled, runs through this collection of short stories: Parents lead children into peril, husbands abandon wives, wives manipulate husbands, and time undermines all. Love pangs, a favorite subject of the author, take on a new urgency as earthquakes, illnesses, lost wallets, and deaths of distant friends besiege his aging heroes and heroines. One man loves his wife's twin, and several men love the imagined bliss of their pasts; one woman takes an impotent lover, and another must administer her father's death. Bourgeois comforts and youthful convictions are tenderly seen as certain to erode: "Man," as one of these stories concludes, "was not meant to abide in paradise."

Museums and Women gathers twenty-nine short stories from the 1960s and early 1970s. It is John Updike's most various collection, a book as full of departures and surprises as the historical period that produced them. Some stories, such as the title piece, have the tone and personality of essays. Others objectify the chimeras of middle-class life, especially life in a fictional New England enclave called Tarbox. The illustrated jeux d'esprit in the section called "Other Modes" place Updike somewhere between Robert Benchley and Donald Barthelme as a toymaker in prose. Crowning the collection are five scenes from the marriage of Richard and Joan Maple, a story sequence with the narrative interest and cumulative power of a novel.

To the hero of the title story of this collection, all of England has the glow of an afterlife: “A miraculous lacquer lay upon everything, beading each roadside twig . . . each reed of thatch, each tiny daisy trembling in the grass.” All of these stories, each in its own way, partake of this glow, as life beyond middle age is explored and found to have its own exquisite dearness. As death approaches, existence takes on, for some of Updike’s aging characters, a translucence, a magical fragility; vivid memory and casual misperception lend the mundane an antic texture, and the backward view, lengthening, acquires a certain grandeur. Here is a world where wonder stubbornly persists, and fresh beginnings almost outnumber losses.

To complement his work as a fiction writer, John Updike accepted any number of odd jobs--book reviews and introductions, speeches and tributes, a "few paragraphs" on baseball or beauty or Borges--and saw each as "an opportunity to learn something, or to extract from within some unsuspected wisdom." In this, his largest collection of assorted prose, he brings generosity and insight to the works and lives of William Dean Howells, George Bernard Shaw, Philip Roth, Muriel Spark, and dozens more. Novels from outposts of postmodernism like Turkey, Albania, Israel, and Nigeria are reviewed, as are biographies of Cleopatra and Dorothy Parker. The more than a hundred considerations of books are flanked, on one side, by short stories, a playlet, and personal essays, and, on the other, by essays on his own oeuvre. Updike's odd jobs would be any other writer's chief work.

The Music School is a place of learning, in which a sheltered South Dakota boy meets his roommate at Harvard, a rebel with whom he will have a violent--and ambiguous--physical encounter; a warring married couple, Richard and Joan Maple, try and try again to find solace in sex; and Henry Bech, an unprolific American writer publicizing himself far from home, enjoys a moment of improbable, poignant, untranslatable connection with a Bulgarian poetess. In these twenty short stories, each evidence of his early mastery, John Updike brings us a world--a world of fumbling, pausing, and beginning again; a world sensitively felt and lovingly expressed; a world whose pianissimo harmonies demand new subtleties of fictional form.

One of the signature novels of the American 1960s, Couples is a book that, when it debuted, scandalized the public with prose pictures of the way people live, and that today provides an engrossing epitaph to the short, happy life of the "post-Pill paradise." It chronicles the interactions of ten young married couples in a seaside New England community who make a cult of sex and of themselves. The group of acquaintances form a magical circle, complete with ritualistic games, religious substitutions, a priest (Freddy Thorne), and a scapegoat (Piet Hanema). As with most American utopias, this one's existence is brief and unsustainable, but the "imaginative quest" that inspires its creation is eternal.From the Trade Paperback edition.