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<title>Arthur Miller - Free Library Land Online - Reference</title>
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<title>Death of a Salesman</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/death_of_a_salesman.jpg"><img src="https://picture.graycity.net/img/arthur-miller/death_of_a_salesman_preview.jpg" class="fr-fic fr-dib" title ="Death of a Salesman" alt ="Death of a Salesman"/></a><br//>]]></description>
<category><![CDATA[Arthur Miller / Theater]]></category>
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<pubDate>Wed, 14 Sep 1977 21:47:48 +0300</pubDate>
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<title>Broken Glass</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/broken_glass.jpg"><img src="https://picture.graycity.net/img/arthur-miller/broken_glass_preview.jpg" class="fr-fic fr-dib" title ="Broken Glass" alt ="Broken Glass"/></a><br//>Set in Brooklyn, this gripping mystery begins when attractive, level-headed Sylvia Gellburg suddenly loses her ability to walk. The only clue to her mysterious ailment lies in her obsession with news accounts from Germany.]]></description>
<category><![CDATA[Arthur Miller  / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 16 Sep 1994 08:07:14 +0300</pubDate>
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<title>A View From the Bridge: A Play in Two Acts</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/a_view_from_the_bridge_a_play_in_two_acts.jpg"><img src="https://picture.graycity.net/img/arthur-miller/a_view_from_the_bridge_a_play_in_two_acts_preview.jpg" class="fr-fic fr-dib" title ="A View From the Bridge: A Play in Two Acts" alt ="A View From the Bridge: A Play in Two Acts"/></a><br//>America's greatest playwright weaves "a vivid, crackling, idiomatic psychosexual horror tale." —Frank Rich, <strong>The New York Times</strong>In <strong>A View from the Bridge</strong> Arthur Miller explores the intersection between one man's self-delusion and the brutal trajectory of fate. Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know—about her, about life, about his own heart—will have devastating consequences.  
"The play has moments of intense power. . . . Miller plays on the audience with the skill of a master." —Clive Barnes, <strong>New York Post</strong>]]></description>
<category><![CDATA[Arthur Miller   / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 14 Sep 1977 21:47:48 +0300</pubDate>
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<title>Resurrection Blues</title>
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<link>https://reference.library.land/arthur-miller/34294-resurrection_blues.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/resurrection_blues.jpg"><img src="https://picture.graycity.net/img/arthur-miller/resurrection_blues_preview.jpg" class="fr-fic fr-dib" title ="Resurrection Blues" alt ="Resurrection Blues"/></a><br//>Arthur Miller’s penultimate play, <strong>Resurrection Blues</strong>, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumored to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV event<br />
have been sold to an American network for $25 million. An allegory that asserts the interconnectedness of our actions and each person’s culpability in world events, <strong>Resurrection Blues</strong> is a comedic and tragic satire of precarious morals in our media-saturated age.]]></description>
<category><![CDATA[Arthur Miller    / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 16 Sep 2006 08:07:14 +0300</pubDate>
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<title>The Man Who Had All the Luck</title>
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<link>https://reference.library.land/arthur-miller/34300-the_man_who_had_all_the_luck.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/the_man_who_had_all_the_luck.jpg"><img src="https://picture.graycity.net/img/arthur-miller/the_man_who_had_all_the_luck_preview.jpg" class="fr-fic fr-dib" title ="The Man Who Had All the Luck" alt ="The Man Who Had All the Luck"/></a><br//><strong>The forgotten classic that launched the career of one of America's greatest playwrights</strong>It took more than fifty years for <em>The Man Who Had All the Luck</em> to be appreciated for what it truly is: the first stirrings of a genius that would go on to blossom in such masterpieces as <em>Death of a Salesman</em> and <em>The Crucible</em>. Infused with the moral malaise of the Depression era, the parable-like drama centers on David Beeves, a man whose every obstacle to personal and professional success seems to crumble before him with ease. But his good fortune merely serves to reveal the tragedies of those around him in greater relief, offering what David believes to be evidence of a capricious god or, worse, a godless, arbitrary universe. David’s journey toward fulfillment becomes a nightmare of existential doubts, a desperate grasp for reason in a cosmos seemingly devoid of any, and a struggle that will take him to the brink of madness. This Penguin Classics edition includes an introduction by Christopher Bigsby.  
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.  ]]></description>
<category><![CDATA[Arthur Miller     / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 14 Sep 1977 21:47:48 +0300</pubDate>
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<title>Presence: Stories</title>
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<link>https://reference.library.land/arthur-miller/34298-presence_stories.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/presence_stories.jpg"><img src="https://picture.graycity.net/img/arthur-miller/presence_stories_preview.jpg" class="fr-fic fr-dib" title ="Presence: Stories" alt ="Presence: Stories"/></a><br//><strong>A moving, final collection of stories by Arthur Miller</strong>   
Throughout his career as one of the foremost playwrights of the twentieth century, Arthur Miller wrote a remarkable series of highly regarded short stories, pieces that reveal the same profound insight, humanism, and empathy that are the hallmarks of his great dramatic works. <em>Presence</em> is a posthumous gathering of Miller’s last published fiction, a group of stories that appeared in <em>The New Yorker, Harper’s, Esquire</em>, and elsewhere. “Bulldog” describes a young teenager’s surprising first sexual experience while “Presence” relates a man’s encounter with a woman he has just seen making love on a beach. “Beavers” tells a haunting tale of nature, creation, and destruction. In “The Performance,” a Jewish tap dancer enthralls Hitler. “The Bare Manuscript” reveals a writer’s unusual methods to revive his muse, and, finally, “The Turpentine Still” presents a portrait of a man examining his legacy. Displaying the sureness of an artist in his autumnal prime, <em>Presence</em> is a gift that all fans of Miller’s work, as well as readers of contemporary fiction, will welcome.]]></description>
<category><![CDATA[Arthur Miller      / Theater]]></category>
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<pubDate>Thu, 16 Sep 2004 08:07:14 +0300</pubDate>
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<title>All My Sons</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/all_my_sons.jpg"><img src="https://picture.graycity.net/img/arthur-miller/all_my_sons_preview.jpg" class="fr-fic fr-dib" title ="All My Sons" alt ="All My Sons"/></a><br//>Joe Keller and Herbert Deever, partners in a machine shop during the war, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went on to make a lot of money. In a work of tremendous power, a love affair between Keller's son, Chris, and Ann Deever, Herbert's daughter, the bitterness of George Keller, who returns from the war to find his father in prison and his father's partner free, and the reaction of a son to his father's guilt escalate toward a climax of electrifying intensity.  
Winner of the Drama Critics' Award for Best New Play in 1947, <em>All My Sons</em> established Arthur Miller as a leading voice in the American theater. <em>All My Sons</em> introduced, themes that thread through Miller's work as a whole: the relationships between fathers and sons and the conflict between business and personal ethics.]]></description>
<category><![CDATA[Arthur Miller       / Theater]]></category>
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<pubDate>Wed, 14 Sep 1977 21:47:48 +0300</pubDate>
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<title>The Crucible</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/the_crucible.jpg"><img src="https://picture.graycity.net/img/arthur-miller/the_crucible_preview.jpg" class="fr-fic fr-dib" title ="The Crucible" alt ="The Crucible"/></a><br//>]]></description>
<category><![CDATA[Arthur Miller        / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 14 Sep 1977 21:47:48 +0300</pubDate>
</item><item>
<title>The Price</title>
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<link>https://reference.library.land/arthur-miller/34297-the_price.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/the_price.jpg"><img src="https://picture.graycity.net/img/arthur-miller/the_price_preview.jpg" class="fr-fic fr-dib" title ="The Price" alt ="The Price"/></a><br//>Victor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he's finally come to sell. But when his brother Walter, who he hasn't spoken to in years, arrives, the talk stops being just about whether Victor's been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ...]]></description>
<category><![CDATA[Arthur Miller         / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 16 Sep 2011 08:07:14 +0300</pubDate>
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<title>Collected Essays</title>
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<link>https://reference.library.land/arthur-miller/540696-collected_essays.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/collected_essays.jpg"><img src="https://picture.graycity.net/img/arthur-miller/collected_essays_preview.jpg" class="fr-fic fr-dib" title ="Collected Essays" alt ="Collected Essays"/></a><br//><b>The collected essays of the "moral voice of [the] American stage" (<i>The</i> <i>New York Times</i>) in a Penguin Classics Deluxe Edition</b><br> <br> Arthur Miller was not only one of America's most important twentieth-century playwrights, but he was also one of its most influential literary, cultural, and intellectual voices. Throughout his career, he consistently remained one of the country's leading public intellectuals, advocating tirelessly for social justice, global democracy, and the arts. Theater scholar Susan C. W. Abbotson introduces this volume as a selection of Miller's finest essays, organized in three thematic parts: essays on the theater, essays on specific plays like <i>Death of a Salesman</i> and <i>The Crucible</i>, and sociopolitical essays on topics spanning from the Depression to the twenty-first century. Written with playful wit, clear-eyed intellect, and above all, human dignity, these essays offer unmatched insight into the work of Arthur Miller and the...]]></description>
<category><![CDATA[Arthur Miller          / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 06 May 2016 10:05:29 +0300</pubDate>
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<title>A View from the Bridge</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/a_view_from_the_bridge.jpg"><img src="https://picture.graycity.net/img/arthur-miller/a_view_from_the_bridge_preview.jpg" class="fr-fic fr-dib" title ="A View from the Bridge" alt ="A View from the Bridge"/></a><br//>Set on the gritty Brooklyn waterfront, A View from the Bridge follows the cataclysmic downfall of Eddie Carbone, who spends his days as a hardworking longshoreman and his nights at home with his wife, Beatrice, and niece, Catherine. But the routine of his life is interrupted when Beatrice's cousins, illegal immigrants from Italy, arrive in New York. As one of them embarks on a romance with Catherine, Eddie's envy and delusion plays out with devastating consequences.]]></description>
<category><![CDATA[Arthur Miller           / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Thu, 11 Nov 1993 14:34:18 +0200</pubDate>
</item><item>
<title>Timebends</title>
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<link>https://reference.library.land/arthur-miller/162063-timebends.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/timebends.jpg"><img src="https://picture.graycity.net/img/arthur-miller/timebends_preview.jpg" class="fr-fic fr-dib" title ="Timebends" alt ="Timebends"/></a><br//>Arthur Miller's plays have held the world's stages for almost half a century. Among them are Death of a Salesman, The Crucible, and All My Sons, which have been read and performed countless times across the world. His memoir, Timebends, shows that the life of the man is as compelling as his plays. With passion, wit and candour, Miller recalls his childhood in Harlem and Brooklyn in the 1920s and the Depression; his successes and failures in the theatre and in Hollywood; the formation of his political beliefs that, two decades later, brought him into confrontations with the House Committee of Un-American Activities; and his later work on behalf of human rights as the president of PEN International. He writes with astonishing perception and tenderness of Marilyn Monroe, his second wife, as well as the host of famous and infamous that have intersected with his adventurous life. Timebends is Miller's love letter to the twentieth century: its energy,...]]></description>
<category><![CDATA[Arthur Miller            / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Thu, 13 Nov 1986 19:51:05 +0300</pubDate>
</item><item>
<title>The Penguin Arthur Miller</title>
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<link>https://reference.library.land/arthur-miller/158743-the_penguin_arthur_miller.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/the_penguin_arthur_miller.jpg"><img src="https://picture.graycity.net/img/arthur-miller/the_penguin_arthur_miller_preview.jpg" class="fr-fic fr-dib" title ="The Penguin Arthur Miller" alt ="The Penguin Arthur Miller"/></a><br//>To celebrate the centennial of his birth, the collected plays of America's greatest twentieth-century dramatist in a beautiful bespoke hardcover edition<br> <br>In the history of postwar American art and politics, Arthur Miller casts a long shadow as a playwright of stunning range and power whose works held up a mirror to America and its shifting values. The Penguin Arthur Miller celebrates Miller's creative and intellectual legacy by bringing together the breadth of his plays, which span the decades from the 1930s to the new millennium. From his quiet debut, The Man Who Had All the Luck, and All My Sons, the follow-up that established him as a major talent, to career hallmarks like The Crucible and Death of a Salesman, and later works like Mr. Peters' Connections and Resurrection Blues, the range and courage of Miller's moral and artistic vision are here on full display.<br>This lavish bespoke edition, specially produced to...]]></description>
<category><![CDATA[Arthur Miller             / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 13 Nov 2015 16:39:18 +0200</pubDate>
</item><item>
<title>Presence</title>
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<link>https://reference.library.land/arthur-miller/120406-presence.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/arthur-miller/presence.jpg"><img src="https://picture.graycity.net/img/arthur-miller/presence_preview.jpg" class="fr-fic fr-dib" title ="Presence" alt ="Presence"/></a><br//>The collected short fiction of America's leading dramatist of the 20th century in a Penguin Classics Deluxe Edition<br> <br> Though best known for creating some of the greatest dramas of the twentieth century, Arthur Miller was also a master of the short story. Initially published in prestigious venues like the New Yorker, the Atlantic, and Esquire, his fiction constitutes a fascinating and indispensable portion of his life's work. Presence: Collected Stories revives and reintroduces these masterly works, making available in one volume stories previously scattered across various collections. Here, as in his best plays, Miller pulls apart the threads of American life with tender humanism and unmatched psychological realism. These stories build on the landscape of Miller's drama, of Broadway dives and Brooklyn shipyards where businessmen, writers, bums, and blue-collar workers struggle for self-worth. This vital collection celebrates not just the...]]></description>
<category><![CDATA[Arthur Miller              / Theater]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 11 Nov 2016 19:57:05 +0200</pubDate>
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