Antonia Fraser's Warrior Queens are those women who have both ruled and led in war. They include Catherine the Great, Elizabeth I, Isabella of Spain, the Rani of Jhansi, and the formidable Queen Jinga of Angola. With Boadicea as the definitive example, her female champions from other ages and civilisations make a fascinating and awesome assembly. Yet if Boadicea's apocryphal chariot has ensured her place in history, what are the myths that surround the others? And how different are the democratically elected if less regal warrior queens of recent times: Indira Gandhi and Golda Meir? This remarkable book is much more than a biographical selection. It examines how Antonia Fraser's heroines have held and wrested the reins of power from their (consistently male) adversaries.

A moving testament to one of the literary world's most celebrated marriages: that of the greatest playwright of our age, Harold Pinter, and the beautiful and famous prize-winning biographer Antonia Fraser. In this exquisite memoir, Antonia Fraser recounts the life she shared with the internationally renowned dramatist. In essence, it is a love story and a marvelously insightful account of their years together, beginning with their initial meeting when Fraser was the wife of a member of Parliament and mother of six, and Pinter was married to a distinguished actress. Over the years, they experienced much joy, a shared devotion to their work, crises and laughter, and, in the end, great courage and love as Pinter battled the illness to which he eventually suc­cumbed on Christmas Eve 2008. Must You Go? is based on Fraser’s recollections and on the diaries she has kept since October 1968. She shares Pinter’s own revelations about his past, as well as observations by his friends. Fraser’s diaries—written by a biographer living with a creative artist and observing the process firsthand—also pro­vide a unique insight into his writing. Harold Pinter and Antonia Fraser lived together from August 1975 until his death thirty-three years later. “O! call back yesterday, bid time return,” cries one of the courtiers to Richard II. This is Antonia Fraser’s uniquely compelling way of doing so. From the Hardcover edition.

Louis XIV, the highly-feted “Sun King”, was renowned for his political and cultural influence and for raising France to a new level of prominence in seventeenth-century Europe. And yet, as Antonia Fraser keenly describes, he was equally legendary in the domestic sphere. Indeed, a panoply of women—his mother, Anne; mistresses such as Louise de la Vallière, Athénaïs de Montespan, and the puritanical Madame de Maintenon; and an array of courtesans—moved in and out of the court. The highly visible presence of these women raises many questions about their position in both Louis XIV’s life and in France at large. With careful research and vivid, engaging prose, Fraser makes the multifaceted life of one of the most famous European monarchs accessible and vibrantly current.

The vivid and dramatic life of Lady Caroline Lamb, whose scandalous love affair with Lord Byron overshadowed her own creativity and desire to break free from society's constraints.From the outset, Caroline Lamb had a rebellious nature. From childhood she grew increasingly troublesome, experimenting with sedatives like laudanum, and she had a special governess to control her. She also had a merciless wit and talent for mimicry. She spoke French and German fluently, knew Greek and Latin, and sketched impressive portraits. As the niece of Georgiana, Duchess of Devonshire, she was already well connected, and her courtly skills resulted in her marriage to the Hon. William Lamb (later Lord Melbourne) at the age on nineteen. For a few years they enjoyed a happy marriage, despite Lamb's siblings and mother-in-law detesting her and referring to her as "the little beast." In 1812 Caroline embarked on a well-publicised affair with the poet Lord Byron - he was 24, she 26....

Here, Jemima Shore, investigator and TV personality, arrives at Inverness Station for a Highland holiday. The sun is shining. Paradise, she thinks. But at that moment, she hears a voice: "All this way for a funeral." So begins an adventure far removed from Jemima's visions of heather-covered hills, crystal-clear streams, romantic men in kilts, fairy-tale castles....Instead, she is plunged into the strange world of the aristocratic Beauregard family with its tensions, its jealousies, and its violence, in many ways a primitive world dominated by the land and its possessing. The setting is the Wild Island itself, sometimes enchanting, but too often frighteningly remote; the streams, not silvery, but brown and sinister; her holiday home, with its disturbing, sometimes terrifying, influences; the people--the dashing war hero Colonel Henry and his sons, the forthright old priest Father Flanagan, Bridie the family servant, Clementina the wayward heiress...none of them quite what they seem. And then there is the specter of the Scottish "freedom fighters," in the shape of the self-styled army of the Red Rose. It all adds up to a brilliantly told story of mystery and intrigue on the Wild Island.

SUMMARY: I lit the candle and began rather gingerly to climb up the ladder. Then I heard a distinct sound above my head. A scrape on the floor, an irregular jarring on the floor above my head, like something rocking . . .A nun is dead - her emaciated corpse has been discovered locked in the tower of Blessed Eleanor's Convent. The tragic consequence of a neurotic young woman committing to a life of isolation and piety, the inquest concludes. But this young woman held unusual power over the convent ... power she was planning to use.Jemima Shore tries to keep her distance from the case, but when her lover cancels their holiday she finds herself reluctantly getting involved. A violent attack in the dead of night and another death convinces her that the convent is not the haven of peace it appears to be. Suspicion and fear hang heavy in the air but how do you solve a murder no-one will admit happened?

Antonia Fraser’s Perilous Question is a dazzling re-creation of the tempestuous two-year period in Britain’s history leading up to the passing of the Great Reform Bill in 1832, a narrative which at times reads like a political thriller.The era, beginning with the accession of William IV, is evoked in the novels of Trollope and Thackeray, and described by the young Charles Dickens as a cub reporter. It is lit with notable characters. The reforming heroes are the Whig aristocrats led by Lord Grey, members of the richest and most landed cabinet in history yet determined to bring liberty, which would whittle away their own power, to the country. The all-too-conservative opposition was headed by the Duke of Wellington, supported by the intransigent Queen Adelaide, with hereditary memories of the French Revolution. Finally, there were revolutionaries, like William Cobbett, the author of Rural Rides, the radical tailor Francis Place, and Thomas Attwood of...

Lady Antonia Fraser vividly brings the reader into the presence of one of England's most brilliant military and political minds.

SUMMARY: As Jemima Shore, Investigator, arrives at Inverness Station for a Highland holiday, the sun is shining. Paradise, she thinks. But at that moment, she hears a voice: "All this way for a funeral." So begins an adventure far removed from Jemima's visions of heather-covered hills, crystal-clear streams, romantic men in kilts, fairy-tale castles. Instead she is plunged into the strange world of the aristocratic Beauregard family with its tensions, jealousies and violence. The setting is the Wild Island itself, sometimes enchanting but too often frighteningly remote, the streams, not silvery, but brown and sinister; her holiday home with its disturbing influence; the people -- none of them quite what they seem.

400 years ago this November the most ambitious and extraordinary plot ever conceived in this country came close to success: the attempt by Guy Fawkes and his fellow conspirators to destroy in a single, annihilating blast the entire British ruling class and royal family.This book draws on the expertise of different writers to bring to life the immense implications of the Plot and the strange way they have echoed down to us over four centuries in what remains the quintessential English festival. Pauline Croft writes about the amazing plot itself and the anxious, unstable world of Jacobean Britain, Antonia Fraser imagines a world in which the plot had succeeded, Justin Champion dramatizes the national emergency that followed the plot's discovery and its savage anti-Catholicism, David Cressy traces how Bonfire Night has been celebrated since its inception as a holiday, Mike Jay focuses on the most famous and enduring rituals held each year at Lewes and Brenda Buchanan offers a wonderful history of fireworks in Britain.

400 years ago this November the most ambitious and extraordinary plot ever conceived in this country came close to success: the attempt by Guy Fawkes and his fellow conspirators to destroy in a single, annihilating blast the entire British ruling class and royal family.This book draws on the expertise of different writers to bring to life the immense implications of the Plot and the strange way they have echoed down to us over four centuries in what remains the quintessential English festival. Pauline Croft writes about the amazing plot itself and the anxious, unstable world of Jacobean Britain, Antonia Fraser imagines a world in which the plot had succeeded, Justin Champion dramatizes the national emergency that followed the plot's discovery and its savage anti-Catholicism, David Cressy traces how Bonfire Night has been celebrated since its inception as a holiday, Mike Jay focuses on the most famous and enduring rituals held each year at Lewes and Brenda Buchanan offers a wonderful history of fireworks in Britain.