The author's experiences in Mexico, California, New York, and Paris, her psychoanalysis, and her experiment with LSD. "Through her own struggling and dazzling courage [Nin has] shown women groping with and growing with the world" (Minneapolis Tribune). Edited and with a Preface by Gunther Stuhlmann; Index.

Nin continues her debate on the use of drugs versus the artist's imagination, portrays many famous people in the arts, and recounts her visits to Sweden, the Brussels World's Fair, Paris, and Venice. "[Nin] looks at life, love, and art with a blend of gentility and acuity that is rare in contemporary writing" (John Barkham Reviews). Edited and with a Preface by Gunther Stuhlmann; Index.

The Four-Chambered Heart is an autobiographical novel by French-born writer Anaïs Nin, part of her Cities of the Interior sequence. It is about a woman named Djuna, her love, her thoughts, her emotions, her doubts, her decisions, and her sacrifices.

Beginning with Nin's arrival in New York, this volume is filled with the stories of her analytical patients. There is a shift in emphasis also as Nin becomes aware of the inevitable choice facing the artist in the modern world. "Sensitive and frank...[Nin's] diary is a dialogue between flesh and spirit" (Newsweek). Edited and with a Preface by Gunther Stuhlmann; Index.

This celebrated volume begins when Nin is about to publish her first book and ends when she leaves Paris for New York. Edited and with a Preface by Gunther tuhlmann; Index.

Ladders to Fire explores the erotic attachments of four young women. Nin described it as a “woman’s struggle to understand her own nature.” It began a five-volume “continuous novel,” Cities of the Interior , which includes Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Solar Barque (1959). Set in the pre-war, expatriate Paris of Henry Miller, this novel — which shocked Nin’s contemporaries — draws its inspiration from her confessional diaries. Although Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries.

Nin's years of struggle and final triumph as an author in America. "Transcending mere self-revelation... the diary examines human personality with a depth and understanding seldom surpassed since Proust...dream and fact are balanced and...in their joining lie the elements of masterpiece" (Washington Post). Edited and with a Preface by Gunther Stuhlmann; Index.

Although Anaïs Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries. A Spy in the House of Love, whose heroine Sabina is deeply divided between her drive for artistic and sexual expression, on the one hand, and social restrictions and self-created inhibitions, on the other, echoed Nin’s personal struggle with sex, love, and emotional fragmentation. Written when Nin’s own life was taut with conflicting loyalties, her protagonist Sabina repeatedly asks herself, can one indulge in one's sensual restlessness, the fantasies, the relentless need for adventure without devastating consequences?